Matt O’Keefe at ComicsBeat has a wonderful overview of the infinite comic format — the way comics can become more digitally, using layers but (unlike motion comics) allowing users to set their own pace. My favorite part of this piece was when he answered a question I’ve had for a while, talking to Mark Waid about what happened to Thrillbent (2012-2016). There’s also good information about ComiXology’s effects on the format and much background on Valentine, Alex DeCampi’s trailblazing comic [...]
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